The audiovisual installationΒ Β π˜‚π—» - π˜€π—°π—²π—»π—²Β Β explores the origins of human beliefs.

Where are our beliefs born?
To what extent do they shape the material world we inhabit? And do we have the power to change them?
This work delves into the dimension of human experience where intangible structures of belief give rise to tangible reality.
Though invisible, beliefs are ever-present, shaping the visible world around us. The installation reflects on how inherited mental frameworks transform over time and how our relationship with them evolves throughout life.
Inspired by the nativity scene – in Christian mythology, the birthplace of a new kind of human being, a new paradigm – the artist reconstructs the biblical story of Bethlehem and reinterprets it within the context of contemporary identity. The work creates an allegory of a world where boundaries blur between the individual and the collective, the visible and the invisible, and where material and immaterial forms become fluid. The traditional nativity transforms into a reflective space for the possibilities of identity and renewal in today’s era.
π˜‚π—» - π˜€π—°π—²π—»π—²Β celebrates the fluidity of forms as an essential human dimension, offering a space for embracing new modes of being, renewing collective consciousness, and transforming old and future structures. It reminds us that change in the material world begins with the transformation of invisible entities – our beliefs.

Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  / photography, digital graphics, animation, sound
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